Baz Luhrmann - Analysis of the Red Curtain Trilogy

The Red Curtain Trilogy, upon first thought, could only be seen as a marketing tool by Baz Luhrmann and the team at Bazmark - put your three popular films in a lecture set with some added features and set it upon the DVD buying audience. However, upon tramp inspection, the three films are not boxed to surviveher alone for marketing purposes, or just by the concomitant they move back the same director and production team - Simply Ballroom, William Shakespeares Romeo & antiophthalmic calculate; Juliet and Moulin Rouge! all have underlying themes and myths that link them together. This attempt will seek to discuss the social and aesthetic themes that leap through the Red Curtain Trilogy. The themes will be compared and contrasted amongst the three films. When explaining the trilogy, Lurhmann addresses the first theme that runs through them - it in fact relates not to any social or aesthetic theme, merely the uptake to elements of their report cardlines. The Red Curtain style that defines our filmmaking comprises several distinct storytelling choices. A simple, make up naïve story based on a primal myth is set in a heightened or created dry land that is at once familiar yet exotic, distant. Each of the Red Curtain trilogy has a thingumabob which awakens the audience to the experience and the storytellers presence, encouraging them to be incessantly aware that they are in fact watching a film.

In Strictly Ballroom dance is the device, the actors literally dance out the scenes. In Romeo+Juliet it is Shakespeares heightened 400-year-old language. In Moulin Rouge, our ulti mate Red Curtain gesture, music and song is ! the device that releases us from a naturalistic world.                                             (Baz Lurhmann - www.clubmoulinrouge.com) The primary myths that Luhrmann alludes to are truly well-heeled to understand once brought to light. In Strictly Ballroom, the... If you fate to get a full essay, order it on our website: BestEssayCheap.com

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